Magana’s stunning and strange ‘Teeth’ LP is streaming now through the excellent Atwood Magazine in the gorgeous premiere and interview feature below.
“Brutally vulnerable and beautifully breathtaking, ‘Teeth’ is as visceral and raw as it is dramatically layered: Magana’s sophomore album is an uncompromisingly intimate and spiritual rock record reckoning with trauma, inner connection, the fragility of the human experience, and what it means to be alive.” – Atwood Magazine
‘Teeth’ is released on Monday the 25th of March and it’s available for pre-order via Bandcamp. Its singles are available on Spotify.
Magana also recently spoke to South London’s Joyzine, which is another great interview worth reading:
There’ll also be a great in-depth interview with Magana on Saturday on the Hello GoodBye Show on London’s legendary Resonance FM. The show airs in London (FM & DAB) and Poland, plus it’ll be available to stream worldwide online. Check the link below for times and details.
Forever busy, Jeni Magaña is back on the road with Mitski now so if you’re going to any of those shows (dates here), please be sure to wave. She also played upright bass on the new single, which you can check out below:
FROG W/ HORSE JUMPER OF LOVE ON MARCH 23RD (FREE, NY):
Frog will be playing a free show with the amazing Horse Jumper of Love on Saturday (March 23rd). It takes place at the Blue Room on the Sarah Lawrence College campus. The event is hosted by the college’s WSLC radio station. Pretty cool.
You can catch up with Magana through Linktree (or if you’re going to see Mitski on tour soon, be sure to wave!).
Magana and Bedbug both Top 5 on Hype Machine:
We’re also so grateful for all of the support that bedbug and Magana have been receiving. Today both artists are Top 5 in the Hype Machine“Most Posted Artists“ chart (plus making Top 20 appearances in the “Popular Now“ chart).
Though Magana is off on tour with Mitski at the moment, the hits keep on coming. “Paul,” the latest single from her upcoming ‘Teeth‘ LP is out now:
We’re so grateful to the ever-excellent Various Small Flames for premiering the song:
“Today we have the pleasure of sharing latest single, ‘Paul’. A song where grief is transcribed almost verbatim, and tenderness, strangeness and plain disbelief can exist simultaneously.”
“The solo project of multi-instrumentalist and Bakersfield native Jeni Magaña (bassist for Mitski and Lady Lamb), Magana will release their sophomore album, “Teeth,” on March 25. The grief-stricken “Paul” is the latest of four singles, which cover plenty of sonic and emotional ground.” – Buzz Bands LA
“As anticipation builds for the release of “Teeth”, fans can expect a sonic journey unlike any other, as Magana invites them to delve into the depths of her imagination and experience the enchanting world of Witchy Rock firsthand.” –Pure Mzine
“Jeni Magaña, esteemed for her roles as the bassist for Mitski and Lady Lamb, ventures into new sonic territories with ‘Paul,’ blending elements of Witchy Rock, Ghost Pop, and Acid Folk. Embarking on her solo journey, ‘Paul’ showcases Magana’s artistry and her growth as an independent artist.” – The Daily Music Report
The single is taken from her ‘Teeth’ LP, which will be released on Monday, the 25th of March, to coincide with the peak illumination of the Worm Moon.
My Best Unbeaten Brother – “Slayer on a Sunny Day”:
Here’s a little bit of the lovely press coverage this new project from Ben and Adam Parker and bassist Ben Fry has received so far:
“After a ten year hiatus, the much lauded Parker brothers return to their literate and urgent ouevre with a new band and a new album.” – Electric Sound of Joy
“Pairing a racing momentum with droll delivery in an attempt to look on the bright side and make the best of the present moment, no matter how difficult outside forces conspire to make such a mindset.” – Various Small Flames
“Something in the song is growling at you instantly; the guitar lines have this edge to them that immediately has you on edge…the anticipation builds for that whole first minute. Then you’ve the seemingly spoken vocal delivery that works through the track as the guitars stab and poke through your speakers; it’s this riotous bit of ramshackle rock n’ roll that’s perfectly balanced to rip through your speakers.” – Austin Town Hall